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Sara Couden|Artur Schnabel: Complete Vocal Works

Artur Schnabel: Complete Vocal Works

Jenny Lin, Sara Couden

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Langue disponible : anglais

This Steinway & Sons release is the debut album of contralto Sara Couden. The album wasn't her idea, and indeed she was, like most people, unfamiliar with the fact that the great pianist Artur Schnabel was a song composer (and also wrote three symphonies). However, her rich, slightly smoky voice was an ideal choice for this material. Schnabel wrote these songs for his wife, Irene Behr. Charmingly, the two met when Schnabel, at a mountain resort, commented to a friend on the size of some boots in the corridor, only to be accosted by Behr the next morning, saying, "I heard you talking about my big feet." The songs are thus highly idiomatic for the alto voice, but they are more than that. Most of them date from between 1900 and 1910, from early in Schnabel's career, and they show a composer alert to the ideas in contemporary German poetry and seeking fresh ways to express them. The best is saved for last, with Notturno for voice and piano, Op. 16, set to a long poem by Richard Dehmel. Dehmel was the muse of Schoenberg (in Verklärte Nacht) and other members of the Second Viennese School, and Schnabel was obviously aware of this; although he is not in Schoenberg territory, he pushes the tonality quite a bit. Strauss also set this rather dark text. Couden's reading is direct and affecting, with good control over the lengthy song. Any of these pieces could be programmed with Schoenberg or Berg, and it is a shame that they aren't better known. This beautifully recorded album, made at the Samurai Hotel Recording Studio in Queens, may change that situation.

© James Manheim /TiVo

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Artur Schnabel: Complete Vocal Works

Sara Couden

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5 Songs for Voice & Piano (Artur Schnabel)

1
No. 1, Sphärengesang
00:02:37

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist - Hieronymus Lorm, Lyricist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

2
No. 2, Frühlingsgruss
00:01:16

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Joseph Freiherr von Eichendorff, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

3
No. 3, Morgengruss
00:02:03

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Joseph Freiherr von Eichendorff, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

4
No. 4, Das Mädchen mit den hellen Augen
00:04:29

Artur Schnabel, Composer - Theodor Storm, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

5
No. 5, Abfindung
00:04:16

Friedrich Rückert, Lyricist - Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

10 Early Songs for Voice & Piano, Op. 11 (Artur Schnabel)

6
No. 1, Wunder
00:02:31

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Werner Wolffheim, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

7
No. 2, Dann
00:02:15

Artur Schnabel, Composer - Richard Dehmel, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

8
No. 3, Ein ferner Frauengesang
00:02:30

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Werner Wolffheim, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

9
No. 4, Marienlied
00:01:44

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Novalis, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

10
No. 5, Dieses ist ein rechter Morgen
00:01:38

Artur Schnabel, Composer - Stefan George, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

11
No. 6, Manche Nacht
00:02:43

Artur Schnabel, Composer - Richard Dehmel, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

12
No. 7, Sieh mein Kind ich gehe
00:01:25

Artur Schnabel, Composer - Stefan George, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

13
No. 8, Waldnacht
00:02:13

Artur Schnabel, Composer - Richard Dehmel, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

14
No. 9, Das Veilchen an den spanischen Flieder
00:02:01

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist - Hanns Sachs, Lyricist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

15
No. 10, Tanzlied
00:01:16

Artur Schnabel, Composer - Otto Julius Bierbaum, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

7 Early Songs for Voice & Piano, Op. 14 (Artur Schnabel)

16
No. 1, Frühling
00:03:49

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Joseph Freiherr von Eichendorff, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

17
No. 2, Octoberlied
00:03:21

Artur Schnabel, Composer - Theodor Storm, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

18
No. 3, Abendständchen
00:03:30

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Joseph Freiherr von Eichendorff, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

19
No. 4, Abendlandschaft
00:01:54

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Joseph Freiherr von Eichendorff, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

20
No. 5, Hyazinthen
00:03:55

Artur Schnabel, Composer - Theodor Storm, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

21
No. 6, Heisst es viel dich bitten?
00:01:44

Artur Schnabel, Composer - Stefan George, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

22
No. 7, Die Sperlinge
00:01:23

Artur Schnabel, Composer - Jenny Lin, Artist, MainArtist - Joseph Freiherr von Eichendorff, Lyricist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

Notturno for Voice & Piano, Op. 16 (Artur Schnabel)

23
Notturno for Voice & Piano, Op. 16
00:22:42

Artur Schnabel, Composer - Richard Dehmel, Lyricist - Jenny Lin, Artist, MainArtist - Sara Couden, Artist, MainArtist

(C) 2022 Steinway and Sons (P) 2022 Steinway and Sons

Chronique

This Steinway & Sons release is the debut album of contralto Sara Couden. The album wasn't her idea, and indeed she was, like most people, unfamiliar with the fact that the great pianist Artur Schnabel was a song composer (and also wrote three symphonies). However, her rich, slightly smoky voice was an ideal choice for this material. Schnabel wrote these songs for his wife, Irene Behr. Charmingly, the two met when Schnabel, at a mountain resort, commented to a friend on the size of some boots in the corridor, only to be accosted by Behr the next morning, saying, "I heard you talking about my big feet." The songs are thus highly idiomatic for the alto voice, but they are more than that. Most of them date from between 1900 and 1910, from early in Schnabel's career, and they show a composer alert to the ideas in contemporary German poetry and seeking fresh ways to express them. The best is saved for last, with Notturno for voice and piano, Op. 16, set to a long poem by Richard Dehmel. Dehmel was the muse of Schoenberg (in Verklärte Nacht) and other members of the Second Viennese School, and Schnabel was obviously aware of this; although he is not in Schoenberg territory, he pushes the tonality quite a bit. Strauss also set this rather dark text. Couden's reading is direct and affecting, with good control over the lengthy song. Any of these pieces could be programmed with Schoenberg or Berg, and it is a shame that they aren't better known. This beautifully recorded album, made at the Samurai Hotel Recording Studio in Queens, may change that situation.

© James Manheim /TiVo

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